Our mission statement

To promote the roles and responsibilities of Production Managers within the live events industry.

To provide a platform for Production Managers to share ideas and knowledge through discussions, meetings and networks and to further create networking opportunities.

To provide advice, support and guidance to individuals and organisations within the live events industry.

To educate and support best practice within the production management community.

Our 5 Year Plan

Actively develop mentoring and practical career advice for young and aspiring Production Managers

To create a library of uniformed and recognised documentation – RAMS, CDM, Budget Sheets etc.

Create a database of professional training courses for Production Managers

Generate and refine job descriptions for PM’s and according pay scales

Encourage discussion with producers, unions, apprenticeship programmes and fellow technical bodies

Who we are

Pip Robinson

Social Media and Events

Pip works full-time as Studio Production Manager for the Battersea Arts Centre as well as freelances in the Off-West End theatre. Pip trained at Wimbledon College of Art, UAL in Set Design for Stage and Screen, graduating in 2013.
Theatre includes The Deposit (Hampstead Theatre), The Cardinal (Southwark Playhouse), POSH (Pleasance Theatre), Macbeth (National Theatre), Romeo & Juliet (National Theatre), The Night That Turned Autumn To Winter (Farnham Maltings/BAC), The Last Kiss (Worthing Pier Theatre), Correspondence (Old Red Lion), Bar Mitzvah Boy (Upstairs at The Gatehouse), Singer (Bernie Grants Arts Centre/Mountview), Touched (Bernie Grants Arts Centre/Mountview), First Ladies Suite, (Mountview), Weights (RCSSD), Orson’s Shadow (Southwark Playhouse), The One Day Of The Year (Finborough Theatre), The Father (Trafalgar Studios).
Pip previously worked as Draughtsperson at the National Theatre and Theatre Royal Plymouth drawing various international tours and West End productions.

David Evans


David is the Head of Production at National Theatre Wales.  Prior to joining NTW David worked as a freelance Production Manager and consultant touring with Matthew Bourne’s Swan Lake, Edward Scissorhands, Play without Words and with Phoenix Dance, The Dance Consortium and Inspector Calls among others.  As a consultant he advised theatre companies in the UEA and the US.  He was the Production Manger for Corin and Vanessa Redgrave’s company Moving Theatre and to date has worked in 35 different countries.  David continues to freelance and has just opened the new musical Tiger Bay in Cape Town prior to its run in Cardiff in November 2017.  David is the production manager and is on the board of the Lagos Theatre Festival in Nigeria.
David has suspended a Harrier Jump Jet over the Thames and arranged a flypast over Newark Castle of the only airworthy Lancaster in Europe, he also persuaded the Danish Airforce to stop its manoeuvres on Mount Snowdon as they were disturbing rehearsals.
David is a Trustee of the ABTT and was made an Honorary Fellow of Rose Bruford in 2015.

Zoe Cotton


Zoe studied Technical and Production Management at the Central School of Speech and Drama after discovering a love of working backstage at the age of 15 at her local theatre in Somerset. Zoe became involved with the PMF through her work as Young Associate on the ABTT council and aims to contribute and represent the voice of young and aspiring Production Managers to the forum.

Michael Ager

Events and Forums

Mike is the Production Manager at the Bush Theatre in West London, working closely with creative teams to manage the physical production and technical elements of the theatre’s shows. He manages a team of full time and casual technicians who maintain the technical facilities and support all shows and events.

Peter Dean


Peter spent 10 years as Deputy Director of Technical Theatre at the Guildhall School of Music and Drama. Prior to that he was Production Manager at Derby Playhouse for more than 10 years, Mercury Theatre Colchester, and RADA. After training at LAMDA, he started his theatre career in the stage department at Birmingham Rep, soon becoming Technical Stage Manager.

He was a founder member of EMPM (East Midlands Production Managers), an early forerunner of PMF, a support network for building-based Production Managers across the Midlands.

Since retiring to France in 2007 he has become a local councillor, designed and maintained a website for the village and undertaken a Health and Safety consultancy in Singapore.

His book, Production Management – Making Shows Happen – A Practical Guide, was published by Crowood Press in 2002.


Job Vacancies

After graduating from Guildhall School of Music and Drama, Suzy stuck her toe in most elements of technical theatre including a rather disastrous winter in a tent in Regent’s Park as a Wardrobe Mistress. After many years of touring nationally and internationally for many companies in many roles she finally moved over into Production Management.

Suzy currently spends her summers juggling numerous shows, venues and technicians as Head of Productions for Assembly Festival. Around Assembly Suzy fits in various freelance projects most recently including: Ridiculusmus UK tours, Interim Production Manager at Hull Truck and Project Manager for Manchester International Festival.

Suzy flies the flag for surviving in the industry whilst living out of London and spends a lot of time on the train!.

Fiona Curtis

Support Hub

Fiona works as the Senior Production Administrator at National Theatre Wales.

She joined the company in 2014, having worked on many productions as a Company Stage Manager throughout NTW’s inaugural years.

She jumped into the world of Production and Stage Management in 2009 after completing an Apprenticeship in Production Management at Hope Street Ltd’s ‘Emerging Artists Programme’ in Liverpool. She has since toured Nationally and Internationally.

Her expertise and passion are in Engaging with Communities, Safeguarding and Sustainability in Production.

Ned Lay

Support Hub and Events

Ned is a freelance production manager, who specialises in an array of work – Theatre, Musical Theatre, Fashion, Events, Dance, Opera. He loves a challenge and a project he can really sink his teeth into. Nothing is impossible, the solution hasn’t been shared yet. His recent projects include London Fashion Week, The Braille Legacy, Boys In The Band, Trainspotting Live, Various corporate events.

Favourite Kind of Project – One with plenty of challenges and a great team, to work together on and push forward.
Favourite Venue – haven’t been to them all yet, get back to me on that one.
Favourite Quote – “Never Leave That Till Tomorrow Which Can Be Done Today” – Benjamin Franklin


Kenneth Bennett-Hunter

In March 2017 we lost one of the founding members of the PMF, Ken Bennett-Hunter. Conceived out of the desire to discuss a challenging set, Ken and like-minded PMs would meet in the West End to share their thoughts and ideas. Ken was one of the most experienced and well-respected figures in British theatre over the last half-century. He began his career as a stage manager with the Lyric Players Theatre in Belfast in 1970, before moving onto the Phoenix and Haymarket Theatres, ENO and English Music Theatre at Sadlers Wells. He was production manager for Opera North, Young Vic, and Theatre Royal Stratford East, where he became its administrative director and established its commercial arm, Stratford East Productions as well as helping to develop the software Modelbox.

For more than 30 years he was an articulate advocate and passionate champion in the pages of The Stage, latterly as editor of its Backstage section. He also edited The Stage’s series of career guides, making them an essential tool for technical courses at leading drama schools.A committed supporter of training and education, he helped train stage management students in South Korea’s Seoul Arts Centre and in 1986 became technical director of LAMDA.

As a freelance consultant, Ken oversaw the refurbishment of London’s Cochrane Theatre and worked with a wide range of companies including Temba, Talawa, the Wolsey Theatre in Ipswich, Dublin’s Abbey Theatre, the Battersea Arts Centre and London’s Southbank Centre.
From 1995-1998 he was President of the Theatrical Management Association As a producer, he was involved with the improvised opera ensemble Impropera, Janine Ulfane’s A Million Freds Productions, managed seasons in Stockholm and, from 2003 to 2009, the annual TMA awards.
In 2008, Ken became editor of Sightline, stepping down in 2014 to become associate editor to Paul Connolly, a position he held until his death.
Away from formal responsibilities, he was a valued mentor and unfailingly generous with advice to successive generations of theatre students and established figures alike.

Petrus Bertschinger

A regular contributor to PMF discussions and panels Petrus Bertschinger was part of the group planning the relaunch of the PMF when he died unexpectedly in 2016.

Petrus trained in stage and production management at the Central School of Speech and Drama and after graduating in 1984 quickly established himself as an admired stage manager and production manager before moving into consultancy and education with equal success.

After graduating, his first professional job was in stage management with the Oxford Playhouse, after which he went to the Donmar Warehouse. He worked with a diverse range of companies, theatres and festivals, including as production manager with Matthew Bourne’s Adventures in Motion Pictures, technical director of the Covent Garden Festival and a 10-year spell with Unicorn Theatre, during which he was planning and operations director responsible for delivering the company’s new twin-venue home. With Theatre Projects Consultants he specialised in theatre management operations, backstage and back-of-house planning, serving as project manager to the Howard Theatre in Downing College, Cambridge (2009), The Convention Centre Dublin (2010), the Royal Welsh College of Music and Drama and Beacon Arts Theatre, Greenock (2011).

In addition to his consultancy work, he was a senior lecturer in Technical and Production management at Central and a trustee director of the Association of British Theatre Technicians. He also contributed articles to Sightline magazine and The Stage.